Graduated from the National School of Architecture of Nantes, my curiosity brought me to the graphic design, design and fashion field. Adept of "learning by doing", my practice has quickly become cross-disciplinary and it is with passion that I always embark on experimentation. To broaden the range of my skills, I am currently extending my studies at l'ERG (école de recherche graphique) in Brussels.
и луна, or 'And the Moon', is a dreamlike journey on an extract of Stalker's soundtrack, by Tarkovsky. Shot with a super 8 camera, a particular attention was given to the contrasts of black and white as well as to the search for textures.
A new visual identity for Galeries Joseph adapted on print and web. The particular graphical approach is rooted in the specificity of the brand: its plurality. Indeed, Galeries Joseph is not a single place but 18 galleries in the Marais district. The latter materialize and are located by points on a map. The aesthetic echoes its white, pure and virgin spaces, ready to host your exhibitions.
Passionated of David Lynch, this project is an opportunity to feed on a dark and surprising cinema but deeply aesthetic. The book, in all its facets, must embody the artist, from the black velvet cover, to the trashy gray paper, through a radical typography and an intuitive, deep and absurd narrative. The curtain opens and David Lynch tells us: "Every time you do something like a painting or whatever, you go with ideas. And sometimes the past can conjure those ideas and color them." The concept has been stated, my job is to confront his cinematographic work with his own life. The edition, constructed like a film, coexists the artist’s voice telling his story with full-page images, screenshots of his films. The voices of his characters will also echo him.
Cold universe, dark universe, inspired by a Russian musical current, the typography is tinged with Cyrilic. It flows like the nostalgic feeling of the dark wave and the cold wave while remaining rigid, marked by the mechanical noise of the USSR. In a rationalized constructive logic, it is still refined punctually to find its elegance. It was inspired by the majestic grace of an architecture reflected in Thierry Mugler's photographies.
"C’est toujours la même sidération qui saisit celui qui les regarde : il n’est pas au spectacle, mais il fait une expérience qu’il éprouve comme bouleversante, ce qui le plus souvent le prive de mots pour formuler cette épreuve" Sophie Lacroix. L’expérience de la ruine, tente ici d’être relatée par l’image. Des photographies d’univers en friches sont alors fragmentées par la trame de la sérigraphie, décomposées par les seuils, partiellement détruites par le zoom. Violence, chaos et prédominance du noir sont à l’oeuvre. Ce noir n’est d’ailleurs pas anodin, il est l’oubli laissé par le temps ou encore l’ombre présente dans les interstices de la matière rugueuse, en opposition à la clarté de la surface lisse et neuve. Cette couleur dramatique est d’ailleurs très présente dans les représentations romantiques de ruines et notamment avec les gravures de Piranèse.
Publication des projets Double Peau, Parenthèse et Impression Latex dans le Etapes magazine N°352 "Ecoles d'art et de design 30 diplômes", octobre 2019.
Exposition des projets Double Peau, Parenthèse et Impression Latex à l'ENSA Nantes en juillet 2019.
Liquid then solid, matter transforms and takes shape. It flows, spreads and takes the imprint of its support. Unusual, unlikely, silicone and latex dress the body. Organic or futuristic, black or white, smooth or rugged, clothes stand out but are linked within the ‘’Second Skin’’ collection.
In the opacity of a wasteland, in the darkness of an out-of-time, it illuminates the visitor’s journey. This lamp is part of an installation in the making, a break, an ephemeral project, bringing together space, heritage and temporality. The neon is wrapped in a silicone protection, waterproof, impact resistant, ready to stand the test of time. Its translucency gently diffuses the light. Off, the imperfections and the shine of the material make it a replica of a marble pole. However, serendipity made it flexible, incredible mystery, playful surprise. Amused, intrigued, we touch it, we manipulate it, we make flexible what was not.
Appeared in the "Second skin" project, latex spreads to invade and explore the world of printing. New material, new medium, new possibilities … Tone on tone, light and shadows reveal the relief letters to the eye and the finger that runs through them otherwise reads them.
This micro-edition gives me the opportunity to experience again the amazing possibilities of latex. Here, the binding is the subject of the experience. The flexibility and the resistance of the material allow the total opening and without resistance of the work. In addition, no page minimum is necessary for this quick and efficient perfect binding.
Handcrafted using the ‘’saponification cold’’ method, dragon&dragon soaps are made from 100% natural products from organic farming. The selection of these is made with care to make it the ideal soap, hydrating, relaxing and aesthetic. Raw, Blanc Ylang or Noir Gingembre soap is accompanied by its minimal pakaging, available in single or double formats.
Camera is in place, quiet on set, and ACTION! ‘’In the Moon’’ is 3 months of designs and 1 month of construction for 2 days of shooting. It is a team of 20 students embarked on the great adventure of a movie set for Marc Caro. Large-scale project, concrete issues, direct order and technical challenges ... Unique experience! For his next project, the director wants to explore immersive cinema in a space shuttle. It will therefore be a matter of creating a 360° cinema set. And we will not be done turning our heads because the ship is made up of pods that rotate and come alive. Gravity is disturbed, the wall becomes the floor, the floor becomes the ceiling ... The furniture takes place as it can, in a grotesque steam punk.
It is within a new cubic space, in the middle of a conceptual void, surrounded by a metallic structure that floats a new 2D, planar space. The fabric that composes it, by its flexibility and fluidity, is wrapped around steel arms. Minimal, almost shy, it is far from revealing its hidden world. Without an apparent invitation, it is up to the visitor to approach and, like an explorer, to find an entrance. Then, it is through the flexibility of the body that space expands and a new dimension is created. Space is no longer a plane but a moving volume, in perpetual metamorphosis. Inspired by this singular universe, cut off from the familiar outside world, the experiment begins. The movement is strange, difficult but pleasant, guided by a weakened gravity and extensible medium. In a pleasant soporific softness and in a bewitching flexibility, the body ends up sitting or lying down to enjoy the visual spectacle. Like a psychedelic reverie, the material of glass decomposes light. Thoughtful and become a multicolored spectrum, it moves and accompanies its disturbed universe.
Installation vidéo pour l'exposition Evanessance à la Galerie Loire de Nantes.
In the opaque tension of a dark red, along with shrill noises, the body moves, evolved. Where is it? what does it do? what does it think? itself does not know. It is somewhere, in a distant thought where its blind senses, greedy for reason, wander and question themselves. But in vain, he no longer knows if it is real.
"Beelitz Heilstätten, where time travel" explores an abandoned sanatorium south of Berlin. This subject involves me in a detective process, or in an archaeologist process. I search for clues, traces, I gather information and gradually advance in my investigation. Things are not simple, the subject is not common. A sort of game and mystery that unfolds. I travel between intuition, feelings and facts. Exciting experience that I try to transmit through a content but also through a form, dynamic and playful. The book is filled with clues. It is dotted with fragments, encounters, intrigue and documents (plans, archive photos, personal photos, drawings, book extracts, definitions...) These complementary but inseparable elements from the whole are there to enrich the main or “classic” form of the thesis. Finally, these are annexes directly integrated into the thinking
Dans l’ouest de l’Allemagne, la ville de Gelsenkirchen souhaite valoriser son patrimoine industriel par le biais de projets culturels. Grandes friches et structures atypiques de l’industrie du charbon deviennent le centre d’un parcours scénographique, d’une promenade nocturne, d’un voyage dans le temps. Le long de ce chemin s’assemble et se monte une architecture modulaire faite de conteneurs qui accueilleront projections de films artistiques et historiques ainsi qu’un bar ou encore un observatoire. Cette nouvelle architecture de métal s’intègre alors parfaitement dans notre contexte industriel.
The dance school stands like a mass, black, opaque. The large lava stone walls stop the curiosity of the passer-by who must approach, enter this architecture to understand its geometry, its plan, its code. The secrets are revealed then blurred, it is a real labyrinth that we have to cross. Routine fades, imagination is stimulated, creativity overflows. At each turn a new surprise. Faced with radicalism and the purity of its forms, the mind is free.
The dance school stands like a mass, black, opaque. The large lava stone walls stop the curiosity of the passer-by who must approach, enter this architecture to understand its geometry, its plan, its code. The secrets are revealed then blurred, it is a real labyrinth that we have to cross. Routine fades, imagination is stimulated, creativity overflows. At each turn a new surprise. Faced with radicalism and the purity of its forms, the mind is free.
Next to the city, in a protected nature, there is nothing, or almost ... A magnificent view, an incredible relief and old train rails. Let us take advantage of these elements which are offered to us. Let's create a bike path to reach the famous ‘’La Loire à vélo.’’ On this path, we have everything necessary for tourists: a hotel, a restaurant, a bicycle garage and an observatory that allows us to cross the cliff. In the interests of economy and respect for nature, everything is done in the simplest. So this architecture, this landscape, this beauty is accessible to all.
The ground is crossed and felt. The material under our feet is solid and stable... Let's disturb this vision. What are we walking on? The question never arises. We no longer walk, we practice, we feel the material and we shake up certainties. Placed in the continuity of a step, it forms the illusion of an element already present. Slab n° 30, 30 square slab which seem identical, actually embody 4 systems: soft, rolling, tilting and hard slab. The walker is surprised, unbalanced, lured by a setting in a reality.
Spacious, open, shared, it's a new way of living. A flatshare with 164 roommates where you do not rent an apartment but 3145 m² on 15 floors with a bedroom and a private bathroom to preserve privacy. Take the stairs and gravitate around the building to reach different floating levels in a generous and luminous volume. These spaces are available at each level to offer different uses. Each dwelling will then have access to kitchens, work spaces, lounges, a garden or even sporting or cultural spaces. From the inside as from the outside, it is an outpouring of life that is visible. It’s a dynamism, it’s a flow, it’s "Fluxus."